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Wearing: Thrifted blouse and scarf, Target shorts and Dr Martens boots.
It's no secret that I love mixing prints, but normally I'm more comfortable wearing a lot more colour. Unless of course it's the middle of semester, I forgo washing my hair, I have an assignment due and some kind of presentation to give. In which case clothing isn't part of the equation and I become the most basic human being and more or less exist rather than actually live. So it felt a little strange and somewhat challenging coming up with a cool outfit in a neutral colour palette. I've been dying to buy some silk scarves since I saw the 'How to tie a neck scarf' video by Man Repeller on Youtube (for you intellectuals out there, you can also read the blog post here) Now I obviously lack the cool sunglasses needed to complete this look, as well as any sign of pigment as evidenced by my moon face and long pale legs, but it's still just as effective. Also I feel like I was unconsciously channeling Chloë Sevigny Fall 2012 campaign for Miu Miu. Minus the amazing boots, David Bowie make up and cropped hairdo.










More and more we're beginning to see classy ways of wearing a bustier top, be it with a pair of chandelier earrings or pant suit with sneakers. Or you could pull a T-Swift and pair them with high-waisted pants, hiding any trace of a belly button and allowing the world to ponder whether you have one at all. Still, they're an item worn by the extraordinarily skinny women of the fashion world, but there's plenty of plus size women who are making the trend their own. Again, high fashion isn't really pandering to these kind of women, and any kind of progress is small but with Beth Ditto walking at the latest Marc Jacobs collection at New York Fashion Week is definitely a step in the right direction (haha puns). Of course the trend is also trickling down into the high street, with brands carried by Asos such as Missguided making some really cute, pattern bralettes with lace and metallic finishes. I'm dying to know if you guys know of where to buy cool bustier tops!
1- unknown, 2- Kayla Scott by Steven Meisel for Vogue Italia May 2015, 3- Photographed by Theo Sion for for The Gentlewoman FW 15, 4- Vanessa Axente by Josh Olins in 'Island Dressing' WSJ Magazine, April 2015. 5, 8, 11- FKA Twigs performs on Day One of the Osheaga Music and Arts Festival on July 31, 2015 in Montreal, Canada. 6- Frankie Rayder by Raymond Meier for British Vogue, September 2003. 7- Lauren de Graaf at Fausto Puglisi Spring 2016 RTW. 9- Chloë Sevigny. 10- Malaika Firth - Diane von FurstenbergSpring-Summer 2015.
Wearing: Blouse and shoes from Asos, trousers from Target.
Last week I presented my research to the academics from my faculty and managed to memorise everything that I wanted to say. All in all my presentation went for fifteen minutes, followed by five minutes of questions. It was wonderful to have the opportunity to present my research to others, but I also managed to impress the structural geologists and gophysicists. As a paleontologist, and the only one from my cohort studying fossils I was bound to stand out, but I'm so relieved everything went well. My supervisors were also pleased that I was able to place my work within the context of previous research, and emphasise why the project was important. Dressing in an outfit which made me feel sassy and confident was a big help though, these shoes were a little uncomfortable new, but that kind of helped me not fidget or move on the spot. While we were never explicitly told what the dress code was, I was more interested in those who were wearing business casual. This is obviously really different than what I tend to wear day to day, but I do love the blouse I bought!
Wearing:
Turban Hats4Ladies (etsy), Miss Shop blouse, Target pants, Miu Miu clogs and Deadly Ponies bag.
It's strange how my sense of style has changed within the last year, whilst many days I try to challenge myself staples are becoming more and more important. These simple black trousers (something Mum picked up for me) are plain but I'm really into the tailoring and tight cuffs. It's also nice to create an outfit around one piece but then revisit some of the pieces I already have in my wardrobe. Feeling like I have so many things to do but in such a short amount of time has really taken its toll- both on my health and how I manage stress. It comes as no surprise I haven't had much time to indulge in the creative process, aside from how I dress and apply my makeup for that day. Even then documenting each outfit and curating images on this blog has become harder and harder. I can't wait to sit down and fill all my empty notebooks with lots of lovely thoughts and writing, as well as create mountains of different collages and sketches!


The silhouettes so often employed by the trendiest fashion bloggers and editors meets colour and imagination, finally. Fendi has created the embodiment of twenty-first century chic while simultaneously injecting colour and substance, as the continuation some of their more successful motifs from Spring/ Summer. The familiar alligator tails in leather can be seen on some of the bags, as well as the owl bag charms alongside some of Fendi's signature totes. Accessories aside, this collection had a greater emphasis on the tailoring of the pants and aforementioned silhouettes exaggerated by the slightly unnatural poses of the model. Don't get me wrong I love being sold on the idea of transcending all human capabilities and never feeling awkward or uncomfortable but when attempting some of these slouchy gravity-bending poses, in reality, they look far less spectacular. Jibes aside I was intrigued by those statement jackets and long skirts combining the best of troupe-like obsessions with the splendor of high fashion.





Although it's only a short collection, I feel like Fendi were able to curate a number of different ideas and execute them well. Each outfit was holistic in its approach, but lacked cohesion necessary for either Spring or Fall. In many ways it was a composite of some of the house's more decadent, as well as their more well-received pieces all rolled into one. There was also some tentative experimentation with texture in addition to those spectacular colorways. On a completely unrelated note, after staring transfixed at the mysterious floating model, as well as circular designs featured on a number of shoes that there are explicit mod references within this collection. Of course, it's all so subtle and with the pseudo-uppercut featured in a number of different looks it all feels so modern. In reality the collection does not belong to a particular decade or heavily borrow from a specific place- it exists across all time and outside it. Fashion collections have that kind of mind-altering affect on me, especially after I have spend hours staring at coal or have had very little sleep. Floating models don't help that either.






