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One of the nice things about finishing my thesis is that I now have the capacity to become a functioning member of society again. OR, I can avoid society altogether, by playing a new video game. Obviously, I chose the later. I've started playing Animal Crossing Happy Home Designer on the Nintendo DS XL, and wasn't planning on blogging about it but everything is so aesthetically pleasing, and a big function of this game is taking photographs stored on an SD card, so since I was taking photos anyway I though- why not? 
So uh, avert your eyes if you want to avoid any spoilers or if video games aren't your cup of tea. Like the name suggestions, this game focuses on the interior decorating aspect of the game, so for every room I decorate I thought I would catalog each and pair them with a style icon or cinematic moment which inspired each room. I hope you enjoy!
I made my character look a bit like Andy Warhol with a pastel pink pixie haircut (something which I wouldn't try IRL myself, given that I've just graduated and am in desperate need of a JOB but I thought it would be fun. Otherwise I probably would have liked to make an avatar resembling Grace Coddington, Anna Wintour or Karl Lagerfeld. Unfortunately gloves aren't an option for avatars yet, so I'm still waiting for the perfect opportunity to make a mini Karl.
So the first room I got to decorate was for Lottie the otter, who also works at Nook's Homes (the office you work at in the game). She's pretty cute, has a blue polka dot bow in her hair styled with bangs in a bun. Naturally I approve of her pink fur. I decorated this room using the 'Lovely Furniture Set', which fans of the Animal Crossing franchise will recognize quiet easily, however, if you're NOT familiar with the series, it's appeared in just about every game since its inception.

Anyway, it reminded me a lot of the bedroom from Grease, as well as the independent films of Samuel Shanahoy who also happens to run one of the most amazing Tumblrs. It's kind of tacky, which is why I love it and also ironic. If the room was a song, it would be 'So Into Yo' by Tamia. If it was an emoji it would naturally be a heart with sparkles. If it was a food, it would be a strawberry milkshake with two straws, shared by Haruka and Michiru from Sailor Moon.






















Lately I've been intrigued by the 1950s greaser girl aesthetic in which women were just starting to appropriate what had been traditionally masculine elements as part of their outfits. I've made similar moodboards in the past, however, without the mugshots these *bad girl vibes* are less explicit. The female characters in John Waters movies who dress feminine but are either tough or trashy or both have also been a source of inspiration. Shot outs to Wanda Woodward for having the most bomb hair throughout Cry-Baby! The commonality across the broad spectrum of fashions which emerged during this decade was impeccably styled hair. I'm in desperate need for a change with my own do' but I'm a little stuck for ideas. Ultimately the most influential factor will be how my haircut will affect later outfit posts and how I express personal style, but for now I am content to be stuck in this informative period. Hair dye is also a possibility in terms of a personal transformation, hence all the photos of Tavi hanging out with cool older girls.1 & 2- Dorothy Bradley (left), photographed for LIFE magazine by Martha Holmes. 3- unknown. 4- Tessa for The Pulp Zine. 5- Tavi Gevinson. 6 & 7- unknown. 8, 9, 11, 14, 16, 18, 20, 21, 22- Sixteen and Spring via Style Rookie. 10- North Rodeo Drive in Beverly Hills street in the 1950s. 12- Photo by Joseph Sterling, Stephen Daiter Gallery. 13- unknown. 15- via vintagedressups.17 & 19- unknowns.
Wearing: Thrifted jacket, J.W. Anderson X Topshop sweater, POMS earrings, Target shorts and Chloë Sevigny X Opening Ceremony shoes.
Bill Cunningham once described clothing as the armor for everyday life and today I chose to interpret that in the most literal sense. Armor doesn't have to feel weighty or oppressive though, its purpose is to offer you some kind of protection. In this case that comfort was purely psychological for me but came in the form of knitwear, feathers and the colour red. I came to realise I was unconsciously referencing the garb worn by San from Studio Ghibli's Princess Mononoke. She too wore large earrings, moved with the ease and fluidity of a wolf and had had red markings on her face, as well as blood stains from fighting. My marabou feather earrings felt more like the feathers collected from arrows which again exaggerated this warrior-like state. Largely it feels like I am fighting with myself most days, or that any turmoil is completely internalized as I struggle to do what is right and keep myself satisfied. Self-exploration has become more important than ever as I continually try to figure out who I am and who it is I am trying to become.
5. 7. 3, 10 & 12- Princess Mononoke (1997).