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Showing posts with label Orange. Show all posts
Showing posts with label Orange. Show all posts

Funny Face

Wednesday, August 19, 2015


Wearing: Meadham Kirchhoff X Topshop sweater, Target trousers and hat, Nicholas Kirkwood X Meadham Kirchhoff shoes.

Today's look was partly inspired by Grimes's recent interview with The FADER Magazine in which she simultaneously tackles criticisms and everyday sexism within the music industry while looking like a total badass. Another surprising influence was the style and ease of Yves Saint Laurent and what Hedi Slimane envisions for the future of the house. Truth be told YSL doesn't consistently challenge me or embody what I like about fashion, it represents a commercial venture which more or less profits from women's insecurities. Keeping all that in mind, I can appreciate the minimalism and attention to the cut and silhouette from YSL collections which is inherently used as fodder for the high street. Unlike my glittery pink, platform boudoir heels from Meadham Kirchhoff the special pieces from Saint Laurent are more likely to be the couture dresses or leather jacket which buyers will maintain for years and years. You will also notice that my hair is now PURPLE and not orange. The change is subtle enough so that it goes unnoticed by my colleagues in academia.

Wild Flower

Monday, July 20, 2015


Wearing: Meadham Kirchhoff X Topshop sweater, Cue skirt, Shrimps fur clutch and Lipstik jelly sandals.

Orange used to be my favourite colour as a child but it's not something that I really wear on a daily basis.
This problem is confounded by having to wear gross or grubby clothes when I am conducting lab work which is basically Monday- Friday at the moment. The real reason is that this skirt and sweater are just about the only orange things I have in my wardrobe. I'd like to change that, but first I have to have a huge wardrobe clean out (which is slowly happening you guys!). It's also been lots of fun to really look at everything in my wardrobe and challenge myself to wear pieces which don't get enough love. I've also been exploring make up a little bit more, but in very unconventional ways since I know next to nothing about how to cosmetics in general. While wearing body glitter as eye shadow proved to be slightly hazardous, the good thing about wearing highlighter on your face is that it comes off easily with water.

Caroline Rose Kaufman 2014 collection

Saturday, May 23, 2015

In the wake of yet another successful Fashion Revolution Day which took place a few weeks ago my brain began ticking away with thoughts of ethics in fashion and particularly production. As serendipity would have it I also stumbled across Caroline Rose Kaufman, born and raised in West Virginia with a penchant for handmade clothing which combines traditional techniques with story telling. It's also been very chilly lately so knitwear has been on my mind a lot lately but her pieces are exceptional in that knitwear has not been exclusively reserved for scarves, sweaters and beanies. Needless to say, I was intrigued with her work and have always been drawn to practitioners who see their creations as three dimensional artwork rather than a piece of clothing. To anyone from Australia her aesthetic is akin to that featured in Frankie magazine and from the outset I myself was won over by her photo shoot starring a woman of colour. 

Although there are specific colours which Kaufman has experimented within this collection she is in no way limited by them, instead she has explored all avenues with a variety of techniques. On the contrary, her intricate knits celebrate handmade clothing in a way that echoes human experience. The shapes of her clothes allow room for growth and development in a way that is liberating but without being tactful. Her clothes hang loosely on the figures but are enshrined in beautifully hand painted iconography or hundreds of weaved threads. They are unlike garments sold through daytime television infomercials for the sole purpose of providing a solution to women with insecurities about their weight. This is in part because they were lovingly made by hand with commercial success of lesser importance. The little beetles or cacti which appear on several of the linen dresses remind me of journal pages shared through Tumblr which again has been reinforced by the handmade brown paper backdrop.  

My personal favourite piece is the gorgeous and angelic peachy coloured dress with pom poms! I only tried to make pom poms once but instead of cute little well formed fuzz balls I was left with a mess of yarn of equal length. Since said incident I have never tried again fearing the same results but I have always been struck with a quiet respect for those who have mastered the tricky little things. Especially those who can make pom pom sculptures (especially Rachel Burke writer of I make it. You wear it) in the shape and design of little fruits. For whatever reason during fall and winter I have an insatiable appetite for soft floaty dresses which are impractical given the weather but I love wearing them with lots of layers. It's my way of countering the Melbourne subculture which is entrenched in all black, very little colour and smart business coats. Those mega-talented babes who have the technical guise to create pom poms could probably create their own dress, in addition to pom pom platform heels and flower crowns. 

These gingham dresses remind me of school uniforms, but that influence in particular is subtle drowned out by thick knitwear, pom poms and sheer leggings. It also reminds me of an outfit my friend Kelly from Glitterous Clittoris posted to her instagram although her take on gingham was decidedly different! A commonality to both these aforementioned sources is the gingham hasn't been used ironically but documents the steady evolution from childish things. The shapes and silhouettes are far-removed from baggy dresses, inspiring a spring of admonishments from a motherly figure assuring us we would grow into them. These have been instead replaced by loosely hanging tops, silk slip dresses and plenty of mouth watering embellishments. To say nothing of those divine wooden soled sandals with leather straps harking back to the bohemian era. These archaic artifacts have been modernized by the exuberance of youth and the most dreamy spring colour palette.  






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