The collection as a whole makes me pine for simple times when billowing, vintage pieces could be worn with the latest trends as seen from the high street and pairs of kooky oversized glasses were inching their way into fashion. The latter have of course become synonymous with the archetypal Manic Pixie Dream Girl (a term which still lingers much to creator Nathan Rabin's displeasure) but it's interesting to note how quickly they have been revived. This is largely due to the Internet expediting the rate at which we share information and ultimately consume trends. So basically everything that was old or tired has become vintage within the span of less than a decade and we are all time-travelers of our own making. I feel like Doc Brown but without the messy clumps of wild white hair but I suppose those puppy dog eyes will look only larger and even more sad behind grandma's glasses.
For me growing up Gucci was never synonymous with the most up to date trends but rather handbags and inevitably cheap knock-offs. I'm starting to realise there is a renaissance within the fashion world in terms of traditional houses experiencing life anew, or when scrawling through archives online, that these brands were always cool and sophisticated. I was just unable to appreciate their beauty until now. Although logos experienced their moment in the sun only a few seasons ago I feel that without omnipresent logos chasing me up and down the street I am at ease with a brand's personal image. For Gucci that meant the occasional appearance of their signature stripes of hardware details appearing on some shoes and handbags. In many ways this replaced the monogrammed luggage carried by the Whitman Brothers across India on their shared journey of self-discovery. It allowed me to become comfortable with the collection and adopt the position of an observed, rather than a potential consumer.
One final thought on the collection was the transformative nature of the humble beret and accessories as a whole. Without them any echo of Suzy Bishop- possibly Wes Anderson's finest troubled teenager would be all but lost (sorry Margot). Suzy's mother Laura Bishop also made a cameo appearance in the Gucci collection in the form of fashionable glasses, head scarf and the dreamiest quilted satin coat imaginable. This outfit has been etched into folklore as the "leaving your husband/ family outfit" and really nothing could look more classy and yet cold-blooded. It is as iconic as stills from Thelma & Louise and derivatives including but not limited to Marge Simpson's friendship with Ruth Powers. This outfit is typically worn by women portrayed as callous or with selfish motivations which seem all the more jarring given how feminine and therefore vulnerable their attire. Housewives are more powerful and influential than many can imagine and it is for this very reason that they are oppressed by the men who pretend to love them. And on that note, I'll leave you to ponder the universe.
1- 7 via Fashion Sizzle, 8- 28 via Footwear News.