Clio Peppiatt Fall 2014

As mentioned a bit earlier, I wanted to discuss Clio Peppiatt's collections starting with the most recent and then take a step back in time. It was in Fall 2014 that I recognized the brand's genius, which was largely facilitated by the over sized faux fur coats and photo editing featuring hand-drawn iconography by the founding creative director. I had always found the fusion between handmade and high fashion extremely charming, but Clio Peppiatt also proves that it can be sexy. Naturally as someone who dresses for herself and not for men (or other women), looking sexy isn't something I really care for. But the latex bustier tops in pastel colors with heavily sequinned hearts are the perfect balance between man repelling and sexy. There's something to be said for clothes which are fun and empowering for women. I think Clio Peppiatt does just that, it attracts the offbeat girls and women that march to the sound of their own drum and gives them an aesthetically super charged sanctuary. 

It's hard to ignore the backdrop to these photos which is so reminiscent of Froots (the Marine and the Diamonds album, not the food type). Florals were another strong element of the photo-editing, emphasising the blue photo-realistic roses on a few of the fur-lined jackets. As if that weren't enough, hand-drawn illustrations from none other than Clio Peppiatt's creative director are the finishing touch, and appear across the website. The website itself is a thing of beauty and features some designs which don't feature on the clothes. Although Tumblr doesn't quite have the pulling power that it once did, combining DIY with high fashion still seems to be popularized (as evidenced by Grimes playing at Dior). It's definitely an aesthetic which I very much admire because at its core it promotes creativity and individuality. Imagine if every member of the community were as obsessed with personal branding and celebrating their own uniqueness, rather than clamoring to become a member of an online following. The world would be a much more magical place, and a bit more eccentric in the way that Clio Peppiatt evokes. 

A number of pieces are the best of both worlds in my opinion: their sexy but still retain a sense of creativity. I'm specifically referring to the crocheted turtleneck bodysuit with pink flowers and latex sheer latex, bell sleeve dress with hand-painted motifs but it seems to reoccur within a number of Clio Peppiatt's collections. Yes, I've mentioned this before but it's worth pointing out a second time with two very cool examples. A lot of the clothes I wear are hard-wired as being "cute" and "fun" and I could hardly be accused as dressing sexy. However, colourful bustier and crop tops, as well as mini skirts are pieces produced universally, but typically for young girls and sometimes lucky tweens. In much the same way Courtney Love pioneered the kinderwhore aesthetic, I'd love to see more brands appropriate clothes which look like they were made for young girls but make them for women. Molly Goddard is another excellent example, coincidentally from London as well. Clearly what I need to do is accrue the skills to make my own sassy subversive clothes- but that might take too long (for now I'll stick to writing about what I know!)

Share this article :

Share on FB Tweet Share on G+ Submit to Digg